Starting Your Painting
The first step, of course, is to draw the
scene in whatever you medium you choose. Restrict the drawing to sufficient
marks to enable you to identify and paint the various elements of the scene. The
more complicated the drawing the fussier will be the painting. If you are
painting out of doors you may find it beneficial to make a quick pencil sketch -
this helps with composition and you can put in the shadows to remind you where
they were when you come to paint them later.
When painting the usual
procedure is to work from the upper left corner of the paper (if you are right
handed) and move downwards. If nothing else this prevents you from smudging
painted areas when you rest your hand on the paper. It is perfectly possible to
put in areas of underpainting on all parts of the paper, let it dry, and work
over the top of it.
Since watercolour is mostly a transparent medium you
must put on your lightest colours first, let them dry, and overpaint them with
darker colours. You will find that this can make it difficult to judge tones at
first.
Any areas which you want to remain the colour of the paper must
be reserved - either paint around them or mask them out with masking fluid. You
cannot keep the white of the paper in any other way.
After you have laid
your initial wash you must let it dry, otherwise any adjacent washes will bleed
into it. You can avoid this if you leave a small gap of dry paper between the
washes. Unless you are doing wet-into-wet washes you must let your washes dry
before you attempt to overpaint them or you will get patches which are known as
cauliflowers".
You must mix more paint than you think you will need for
washes. This is especially true when painting out of doors because the sun will
dry up the paint. If you run out of mixed paint before you have completed the
wash it is almost impossible to match the tone and get it on to the paper before
the original portion of the wash has dried.
Try to paint in shade or
create some shadow on your painting board or you will find that your painting
seems dark when you bring it indoors. Some people use sunglasses when painting
in sunshine to overcome this problem.
Remember that lighter, bluer washes
seem to recede and darker, warmer washes seem to come forward.
To be
continued.